vedi come storpiato è Maometto!
Dinanzi a me sen va piangendo Alì,
fesso nel volto dal mento al ciuffetto.
E tutti li altri che tu vedi qui,
seminator di scandalo e di scisma
fuor vivi, e però son fessi così.
Inferno, canto XXVIII, vv. 30-36
Dopo che l’Idomeneo, re di Creta, opera di Wolfgang Amadeus Mozart, è stata cancellata oggi dal cartellone della Deutsche Oper di Berlino in quanto potenzialmente offensiva per la sensibilità islamica, si apre un interrogativo per la Cultura italica: dopo aver riletto questi 6 versi scritti da Dante Alighieri, vieteranno l’insegnamento del Sommo Poeta nei nostri Licei?
Se lo faranno, vorrà solo dire che sono delle mezze calzette. Che schifo! Rinunciare alla propria cultura (e che cultura!) per un modo sbagliato di intendere il dialogo e la società multietnica, multireligiosa e tutti i “multi” possibili. Dovremmo reagira ma, visto anche il caso recente (indovinate quale), c’ è da preoccuparsi. La sinistra, in questo, fa temere…
SG
purtroppo la sinistra pur di accaparrarsi voti e favorire il clientelismo è disposta a vendere anche la nostra cultura ..vedi cittadinanza italiana dopo cinque anni vedi gli enti locali amministrati dalla sx che attraverso preture pilotano e non permettono l applicazione della bossi fini per loro è una campagna acquisti noi fortunamente la vediamo in modo diverso …
Grande GM!!!
))
))
Non ricordavo questi versi… forse in quell’occasione c’era sciopero a scuola
e in ogni caso…giù le mani dal Sommo Poeta!!
Piano, piano ci proibiranno anche di portare croci e santini.
Sai come vanno queste cose, non bisogna offendere il culto altrui mostrando pervicacemente simboli di religioni concorrenti.
Un po’ di progresso, perdincibacco!
Most people and newspapers in Germany criticize the cancellation of this Mozart opera, incl. representatives of Muslim organizations.
Now it seems that the cancellation will be revoked and this opera will be shown after all.
What a great and shrewd publicity stunt the opera house made by first announcing the cancellation. Without this fuss about cancellation, nobody would care to see this silly artsy-fartsy opera. Now it is a must-see to show that we do not surrender to “Islamofascism.”
I think I am in a very small minority who approved of the cancellation. That opera is an insult to other religions (since it also shows the severed heads of Jesus and Buddha) as well and to Mozart, the composer, himself.
Anyway, what benefit would we get if we had this opera? It seems the only reason to defend this stupid opera is to avoid giving the impression of appeasement to the Islamofascists. That’s not enough for me.
My analogy: People can call me coward all day, but I don’t get intimidated. I am not doing something I don’t want to do just to prove to someone that I am not a coward. Well, I did that in kindergarten and elementary school, but now I am more confident and don’t feel I have to prove anything to anyone. Jesus, what a hero I am.
Is this opera helping us? No, I think this opera would only strengthen Islamofasicsm since it would help their propaganda. To win the war on terrorism, we need to have moderate Muslims on our side, so that they don’t support the terrorists, but give us information about them. And we want the moderate Muslims to win over their autocratic governments and fundamentalist groups in the Arab world. This opera, however, alienates the moderate Muslims and helps the fundamentalists.
I think we should criticize the Arab world all day on how they treat women, violate human rights, lack democracy, have too much corruption, etc etc. And we should lecture them all day that they should make peace with Israel, that they should spend their money education rather than military, that they should save Darfur, that they need economic reforms etc etc. Since nobody likes to be attacked, criticized and lectured on every issue, we should avoid making fun of their Prophet of defaming their Prophet. Rather we should focus on the topics that matter. That’s not appeasement, but about focusing on what is important and it is about setting priorities.
Though, as I said: I am in the minority on this one. Most Germans criticized the cancellation of the opera. It was the opera house who decided to cancel the show. Not the federal or the city government. If (!) the government had told the opera show to cancel the show, then I would be critical and complain about strangeling free speech and about unacceptable government intervention into the arts. But that was not the case.
Let’s not forget that Muslims are not the only religious group who dislikes controversial art:
This is from Oct 23, 1998: “Last May, William Donohue, the ever-vigilant president of the Catholic League for Religious and Civil Rights, raised quite a ruckus about the fact that Corpus Christi, Terrence McNally’s play-in-progress, featured a gay, Christ-like protagonist who has sex, off-stage, with his male disciples. Donohue, who has a gift for strained analogies that rivals McNally’s own, has called the play “hate speech,” “bigotry,” and of course “blasphemy.” He has argued that a similar depiction of a black or Jewish religious figure would be roundly condemned. Only Catholics and their beliefs, Donohue insists, are held up to such ridicule.”
Long article here:
http://www.findarticles.com/p/articles/mi_m1252/is_n18_v125/ai_21273530
Yeah, yeah, this only happens to Catholics…. Right! And some Jews say those kind of attacks only happen to Jews. And some Muslims say those things only happen to Muslims
The play was then shown after all. And probably the Idomeneo opera will be shown as well soon. They certainly got a lot of publicity. More than this opera house would usually get. Usually hardly anybody would be interested in that opera, but now it is the talk of the town.
“On May 23, 1998, the New York Times announced that the Manhattan Theatre Club would be canceling its scheduled production of playwright Terrence McNally’s newest play, Corpus Christi, due to bomb and death threats made against the theatre, its personnel, and the playwright. The Catholic League for Religious and Civil Rights disavowed responsibility for the threats but did publicly applaud the decision, calling the play “blasphemous.” A week later, after counter-demonstrations by a roster of well-known contemporary playwrights, the play was reinstated at MTC. Although the Catholic League’s president had not read the play, reports claiming that it depicted a gay Jesus-like figure who has sex with his apostles was enough to ignite a series of events that captured the attention of New Yorkers, theatre artists and others, perhaps to a greater extent than McNally’s play itself. On opening night, two separate demonstrations took place concurrently on opposite ends of the block outside the theater.”
http://muse.jhu.edu/cgi-bin/access.cgi?uri=/journals/theatre_journal/v051/51.2pr_mcnally.html
The same play was shown in Germany, but then cancelled after death threats and bomb threats.
@ SG: solo in questo?
@ Sara: sull’immigrazione, AN ha una posizione chiara!
@ Dario: nemmeno io lo avevo studiato a scuola, ma ricordavo dell’esistenza di un passo su Maometto nella Commedia. Sai, ho fatto il Liceo Classico!
@ Simone: i muslims sono rimasti al 1500, vanno capiti.
@ Josh: thank ‘u for your interesting comment.
Oggi a Mozart, domani a Dante, dopo-domani a Shakespeare.
Non a caso sono i canoni occidentali secondo Harold Bloom
Ottimo post, condivido tutto. Se non ti dispiace ti linko nel mio blog a questo post, più un’immagine che ho appena fatto.
Ciao
Ricky
http://www.riccardof.com
Mariniello says:
@ Josh: thank ‘u for your interesting comment.
Ma se neppure l’hai capito!
@ Ricky: certo, è un piacere!
Ci ho messo un’ora 
ma l’ho capito!
@ Star: malalingua sicula!